Clarence Holbrook Carter is an artist of little known fame. His work in this exhibit is a very strong political commentary that still brings chills to the viewer. White Supremacy was painted in 1947. It is believed that Carter was born around 1904 so the painting was done while he was in his early forties.

The style of the painting reminds one of the crude folk art done by slaves in the 19th century. His figures are raw and cartoon-like with very flat imaging and obvious outlining. The white figure in this piece seems to symbolize the Ku Klux Klan (KKK) and white oppression. It is fairly large and seems slightly obese possibly implying the wealth of the plantation, slave-owner and the white race in general. The figure stands in the forefront with a contemptuous gaze and dark eyes. The figure seems indifferent and somewhat removed from the scene behind him.

The other figure in the painting is that of a black male. The male is nailed to a burning cross symbolizing both the persecution of the black race and the crucifixion of Christ. It depicts the black male as the ultimate martyr. The black figure appears emaciated and may symbolize the poverty of the black race during and after slavery. His chest cavity is visible as are his wrist bones. His eyes are dark and his facial expression conveys the angst and pain that he is experiencing. This image is haunting and creates an uncomfortable silence when viewed.

Carter obviously accomplished his goal in this work, to raise consciousness while creating an uncomfortable realization. He reminds people of the past, present and future with one single painting.

ADDITIONAL LINKS

• Clarence Holbrook Carter (b. 1904 ) American (through Comenos Fine Arts, Boston)
• Watercolor by Clarence Holbrook Carter (currently for sale through Bob Beard Antiques, Roanoke, Virginia)