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Kay WalkingStick
click here for a LARGE image
At Pratt she was able to acquire Western techniques which she predominately uses in her work. Many of WalkingStick's drawings are purely what she has retained from the objects that she has viewed. When she is drawing, she draws what she sees and later goes back and relates the metaphysical world to what she has drawn. After relating these two she returns to her drawing and on one half she draws the metaphysical sight. As a result her drawings leaving the viewer with a diptych or a horizontal piece in two halves. Early Spring, Boulder Colorado (Mountain Synergy I) is a prime example of a horizontal piece in two halves. She has used a semi-oval shape with a triangle to relate the metaphysical sense of this world to the mountain. By speculating the nature of being, truth, and knowledge and incorporating it into her artwork, she shows the view how she views various objects. WalkingStick has an interesting way of showing her perceptions of this world. Her methods explain to the viewer her way of thinking, looking deeper into objects than just their outer shell.
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The objects and material in this exhibition were gathered together, researched and largely written about by students in the seminar "Art and Artists" conducted in the Fall semester, 1997, by Christopher L. C. E. Witcombe, Professor of Art History in the Department of Art History at Sweet Briar College in Virginia, 24595 USA. Invaluable assistance was provided by Rebecca Massie Lane, Director of Galleries and the Arts Management Program, who in turn was assisted by Dana Lee Bordvick '98.